Kimagure Orange Road"The Two Snapshots"Volume 2, Story 6WB Volume 1, Story 14Written and illustrated by Matsumoto IzumiTranslation & full-script typesetting by : Craig H. NishidaEditing and Additional help by : Paul Hirose Craig Nishida Spencer Hastings Matthew Klippenstein Leo Hourvitz Wes ShullLast revision : 02-07-95Comments? Corrections? Suggestions? Please send them to: kor-trans@gnu.ai.mit.eduNOTE: WBp#'s are printed first, Normal manga pages in parenthesis()NOTE: Translation is done from both the normal and WB manga, so there may be a few extras to those of you not having one or the other. Example: The subtitles on page 303 (117) are only in the WB's!---------------------------------------------------p 303 (117)--TITLE PAGE[A strip of 35-mm film runs diagonally across the panel. Each frame of the film is identical and shows the three--Hikaru winking and flashing a victory sign, Kyousuke wincing and Madoka looking on at Hikaru, uncomfortably.]MAIN TITLE (at top) _______ The Two Snapshots NIMAI no sunappu two/double snapshotsSUB-TITLE (at bottom) ______ Printing on the Film of MUNE no firumu ni YAki tsukete... My Heart... heart 's film (IO) printing/branding __________ A Heart-Throbbing Summer- tokimeki - NATSU IRO fotogerafu! Tinged Photograph! throbbing- summer color photograph ---------------------------------------------------p 304 (118)1[Shot of a tree-lined, downtown thoroughfare.]man: [off] Uh-hmm, I'm at a loss what u--n komarimashita ne to do... was-at-a-loss/was-at-wit's-end2[Exterior shot of "Cafe ZuBoN".]Takashi: [off] I have a policy against watashi wa JINBUTSU wa toranai taking photos of people, I (T) person (T) not-take-(picture) but... SHUGI nan desu ga... policy what is but3[Interior shot. Takashi sits at a table, across from a man, possibly an editor.]man: [smiling] Could you somehow see your soko o nantoka onegai shimasu yo way around that policy? that-place (O) somehow could-you-do4[Takashi looks on, without expression.]man: [off] By all means, this project kono KIKAKU wa zehi KASUGA-SENSEI ni needs you, Kasuga-sensei. this-plan (T) by-all-means (IO) onegai shitai n desu request want-to-make (explan)5man: I mean, Sensei, your pictures iya-- SENSEI no SHASHIN wa are--how do you say... 's photography (T) nan chu-- ka (= nan to iu) (talk-to-self) called-that Truly marvelous. jitsu ni subarashii truly/extremely wonderful/splendid Allowing yourself to take FUUKEI bakari torasetoku no wa only landscape photos, landscape just (= torasete-oku) (T) frankly speaking, is a loss letting-take-(a-photo)- to the photography world. (for-future's-sake) hakkiri itte SHASHIN KAI no speaking-plainly photography world/circles SONSHITSU desu yo-- a-loss is---------------------------------------------------p 305 (119)1man: [waving as he leaves] Then, you'll do it?! ja onegai shimasu ne! then request-to-do (rhet)2Takashi: [still seated] Oh well... I've taken the yareyare to--to-- hikiukete-shimatta! assignment after all! oh-boy after-all/ see-to-it-(finality/ in-the-end regret)3Takashi: [exiting] (However... Saying I'll do (shikashi... hikiuketa wa i-- kedo... it is all very well... but/however accepted fine but ______ But what about the kanjin no moderu wa dou shita all-important model?) essential/ model (T) what-happened main/most-important mon darou) person poss-be4Takashi: (I can't very well use Kurumi (kurumi ya manami o SHIGOTO de and Manami for work...) and (O) for-work TSUKAu wake ni wa ikanai shi...) use can't-very-well considerTakashi walking FX: ___ su_[As he exits, he looks to one side. Coming up from the other direction is that favorite collision target of all Kasuga males... (See chapters 1.3 and 5.1, for example...) She walks home in school uniform, schoolbag in hand, looking off across the street...]5collision FX: ______ doshin!6Hikaru: [wincing] Ouch... itete7[View pans back to show her sitting on the sidewalk. Takashi still stands.]Hikaru: [yelling in anger] Watch where you're going, doko MIte n da yo you blockhead!! where looking (explan) ___________ kono to--henboku!! this blockheadTakashi: Ah! a---------------------------------------------------p 306 (120)1Takashi: __ ____ S-sorry about that. A-are su sumanakatta ne ke kega wa nai kai? you hurt? was-sorry injury (T) not-haveTakashi FX: ___ ___ oro oro2[Hikaru blesses him with an angel-of-death glare.]Hikaru FX: _____ jiro_3[She gets up and dusts herself off.]Hikaru: _________ Hmmph. Mister, are you a fu--n ojisan kameraman na no ka-- photographer? mister cameraman (?)Hikaru dusting-off FX: ____ ____ pata pataTakashi heartbeat FX: _____ doki_4Takashi: [sweating, perplexed] .......... ..........5Hikaru: [flashing with emotion] _____ __ Coooool! I know!! kakko ii na----_ so-- da!! cool !6Hikaru: [gentle smile] Hey, take a picture of me. nee atashi no koto totte yo say of-me taking-(picture)7Takashi: EH? e8Hikaru: [striking a pose, hand behind head] Despite my appearance, ko-- MIete mo YOUCHIEN ni there was a time in even-tho-appear-like-this in-kindergarten kindergarten when I modeled children's clothes at a ita TOKI CHOUNAI no local clothing goods store. there-was time in-the-town/neighborhood 's YOUHINTEN fancy-goods-shop/foreign-goods-shop/ haberdasher's-shop/clothing-goods-shop ______ no KODOMO FUKU no moderu yatte 's children's-clothes 's modeling koto mo aru n da yo atashi thing too happen (explan) ITakashi: Clothing goods store... YOUHINTEN......---------------------------------------------------p 307 (121)1Hikaru: [smiling and waving] Yah, I wish... Just joking. na--n chatte ne jo--dan da yo I-wish/not! joke be See ya, mister! ja ne ojisan!2[Takashi's pov of the radiantly smiling, pretty girl...]3Takashi: [considering] Hmm. fumu value/estimate-(something)4Takashi: ____ Oh, wait a moment, you. a chotto kimi just-a-sec youHikaru: [stopping] Huh? e5Takashi: [smiling] ______ About modeling... I wonder ja moderu HONTOU ni tanomou if I really should ask you. model really shall-ask-(you-to-do) ____ ka na kimi ni I-wonder you (IO)6Hikaru: [wide-eyed with surprise] ?! ?!---------------------------------------------------p 308 (122)1[Exterior evening shot of the Kasuga apartment building.]2[Kyousuke sits at the dining-room table in NY Mets jersey, resting chin in his hands.]Kyousuke: Next Sunday? Help you KONDO no NICHIYOUBI? SHIGOTO no TETSUDAi? with work? next-Sunday work 's assistanceTakashi: Yeah. I won't be able to do aa chotto KONKAI wa hitori ja it by myself this time so I a-bit this-time (T) by-myself (T) need an assistant. dekinai n de JOSHU ga not-be-able-to-do since assistant (S) hitsuyo-- nan da yo need/require/want what is3narration: _____ ______ Dad works as a freelance oyaji no SHOKUGYOU wa furi-- no photographer! father's profession (T) freelance 's _________ kameraman! photographerKyousuke: Yeah, I guess it's okay... un betsu ni ii kedo... not-particularly okay but4Takashi: [smiling] All right, then. I'm so-- ka ja tanonda zo! counting on you! then depended-onnarration: Because of his general da kedo HONNIN no SHUGI to policy against taking pics but person-himself 's with-policy of people, he specializes in landscapes... yara de JINBUTSU wa torazu what-with person (T) not-taking-(photos) FUUKEI SENMON landscape specialty5[Two photographs--one of Manami in swimsuit; another of Kurumi in blouse with floral garland on her head.]narration: ...although he occasionally tama ni kurumi ya manami o takes pictures of Kurumi occasionally and (O) and Manami, but... tottari wa shite-ru mitai da take-pictures-(and) (T) would-like-to kedo---- but ...that's strictly private sore wa akumade . that-(one) (T) to-the-utmost ___________ puraibe--to de in-private6[View of a wall, upon which are tacked up photos of palm trees, a billboard and a basketball hoop.]narration: He absolutely never takes SHIGOTO de wa zettai JOSEI o photos of women as part of for-work (T) absolutely women (O) his job. toranai not-take-(pictures) _____ He seems to have a stubborn ganko na tokoro ga aru yo-- desu streak. stubborn case (S) have appear/seem---------------------------------------------------p 309 (123)1[Exterior day shot of ABCB.]2Madoka: ______ Photographic model?! SHASHIN no moderu?! photography 's model3Kyousuke: H-Hikaru-chan?! hi hikaru-chan ga?!4[View pans back to show Kyousuke and Hikaru seated, and Madoka standing in her ABCB apron.]Hikaru: [smiling merrily] Yup! While in town, quite so_ kono aida MACHI de gu--zen by accident, I was stopped. ! while-in-town accident/chance KOE kakerarete ne be-calling-out _________ For that photographer to ano kameraman atashi ni choose me--he must have that-photographer me (IO) pretty good taste. ME o tsukeru nante watch/have-his-eye-on the-likes-of nakanaka midokoro aru na-- very promise/good-points have5[Madoka and Kyousuke look at each other, wide-eyed. A sinister aspect has occurred to them...]6Hikaru: [dreamily] Ahhh! What'll I do? a~~~~_ dou shimashou ! what shall-do What if these photos kore de sono SHASHIN ga attract the attention of with-this/now those-photographs (S) the mass media and show-biz ________ folks... masukomi ya mass-communication/mass-media and GEINOU KANKEI no (public)-entertainment connection 's HITO-tachi no ME ni furetari shite... people 's attract-(their)-notice-(and) Then, in a flash, I'll become n de motte ichiyaku a star. since by/then/for suddenly/with-a-leap ______ suta-- ni natchattari shite turn-into-a-star-(and)Hikaru FX: ______ uttori[In the background, Hikaru visualizes her dazzling future.]top magazine: [left] _______ Stunning Debut!! SHOUGEKI debyu--!! shock debuttop magazine: [right (partially cut off by speech bubble)] Hiyama Hi... HIYAMA hibottom magazine: The Prospect of a New KITAI no OOGATA Superstar. expectation/anticipation 's large-size SHINJIN new-starnews conference banner: _______ Debut of a New Superstar!! OUGATA SHINJIN debyu--!! large-size new-star debut Hiyama Hikaru HIYAMA hikaru News Conference KISHA KAIKEN7Madoka: But Hikaru, you better be demo hikaru KI o tsuketa ho-- ga ii yo careful. but take-care better---------------------------------------------------p 310 (124)1Madoka: _________ Was that person really a sono HITO HONTOU ni kameraman na no? photographer? that-person really photographer There are cases of damasarete being deceived and taken being-deceived off to some strange place... hen na toko tsurete-karetari suru (= ikaretari) be-taken-to-a-strange-place-(and) koto datte aru n da shi cases even exist (explan) consider That kind of thing can be so-- yu-- no tte pretty scary. that-kind-of (nom) (T) kekko-- kowai no yo quite scary be2Hikaru: [mouth pursed in thought] Well... so-- ka na... Come to think of it, I so-- ieba tashika ni recall the guy had a sorta come-to-think-of-it if-I-remember-correctly perverted, mustached face... ______ sukebe so-- na hige ttsura perverted seem mustache face _____ no ossan datta kedo... 's mister/Joe/buddy was but 3Hikaru: [hurling herself at Kyousuke] Then, Sempai! Please come ja sempai! KONDO no NICHIYOUBI with me next Sunday to the then next-Sunday photo shoot!! satsuei no TOKI issho ni tsuite-kite photographing-time together coming-with-me kudasai ne_!! pleaseKyousuke: Eh! e_4Kyousuke FX: ______ chira_5[Madoka looks on without expression.]6Kyousuke: ___ Oh! B-but I'm helping my a_ de demo NICHIYOUBI tte ore father with his work on ! but Sunday (T) I Sunday. _____ oyaji no SHIGOTO no TETSUDAi nan da father's work 's assistance what isHikaru: How bo-o-oring. naan da tsumannai no what's-that uninteresting7Madoka: [leaning in] Then, shall I go with you, ja atashi ga tsuite-itte-ageyo-- ka! Hikaru?! then I (S) shall-go-with-(you) (?) hikaruHikaru: Huh?! You, Madoka-san? e_ madoka-san ga?8Madoka: [off] You'll feel safe with me, atashi to issho dattara ANSHIN desho right? together-with-me when-be safe poss-beHikaru: [beaming] Yes! hai!---------------------------------------------------p 311 (125)1[Exterior shot of a train station.]" station, is my best guess.>2[Madoka and Hikaru wait near the ticket machines.]Takashi: [off] Hi. Sorry to keep you yaa omatase! waiting!3[Their eyes grow wide with surprise.]4[As does Kyousuke's... Oblivious to it all, Takashi merely smiles.]5Kyousuke: Hikaru-chan... And hikaru-chan... AYUKAWA mo... Ayukawa... Why are you here? nande koko ni iru no why at-this-place be-hereMadoka: Kasuga-kun?! KASUGA-kun?!Hikaru: Sempai, why... SEMPAI do--shite......6Takashi: [swiveling his head] Huh...? WHAT?! e... e?7Kyousuke: [somewhat irritated] _____ Dad... Work means taking oyaji... SHIGOTO tte landscape pictures... dad work (known-as) FUUKEI toru n ja... landscape taking-(pictures) ('cause)Takashi: Nobody said anything like DARE-mo sonna koto that. nobody that-kind-of-thing Ittoran ga (= Itte toranai) but saying -take-picturesMadoka & Hikaru: _____ "DAD"?! oyaji?!---------------------------------------------------p 312 (126)1Madoka: _________ Then, the photographer is... ja kameraman tte no wa... Kasuga-kun's otoosan then photographer (quote) ?! KASUGA-kun no oto--san?! 's father2Takashi: What's this, Kyousuke? nan da KYOUSUKE what's-this You and these girls know omae kono ojo--san-tachi to wa each other by sight? you these-girls (define) KAOmishiri na no ka? know-(them)-by-sight (?)Kyousuke: Yeah. We go to the same un ONAji GAKKOU no school. same-school3[Horror-struck, Hikaru plays back a scene...]Hikaru: Oh no! a ikenai!Hikaru: [flashback] ___________ Watch where you're going, doko MIte n da yo kono to--henboku! you blockhead!Takashi: [flashback] Ah! a4Hikaru: (How awful...! It was (ya da----_ SEMPAI no oto--san datta Sempai's otoosan?) unpleasant! 's father was no kaa) (?)Kyousuke: ______ (So, that "model" you were (ja moderu tte hikaru-chan no koto talking about was then model (quote) about-Hikaru Hikaru-chan?!) datta no ka?!) was (?)5Hikaru: [brightly, to Takashi] Well, shall we go, saa mairimasho-- ka oto--sama!! otoosama?!! well shall-go (?) revered-father father".>Takashi: Eh?! e?!6Kyousuke: [wincing] O-otoosama... o oto--sama......[Madoka looks at Kyousuke, overwhelmed by it all. Takashi and Hikaru walk on ahead.]Hikaru: _____ Oh, shall I carry your bag a kaban o-mochi shimasho-- ka oto--sama for you, otoosama? bag bag shall-do (?)Takashi: Ah, th-thank you. a do do--mo---------------------------------------------------p 313 (127)1[Hikaru poses for the camera.]camera FX: _____ pasha2[She splashes through the shallow water at the beach. As I recall, this shot was later used in the anime episode as well...]camera FX: _____ pasha3[View down the deserted beach at a lighthouse at the far end.]4[Takashi and Kyousuke share a private conversation...]Takashi: But... You're so sly. shikashi... omae mo sumi ni okenai na but you even be-witty-&-knowingKyousuke: Eh? e5[Oops, not so private. View pans back to show Madoka right there as well...]Takashi: To think that girl's your ano KO ga omae no KANOJO girlfriend...! that-girl (S) your-girlfriend datta to wa na--_ was even-though ! She's pretty considerate, nakanaka KI ga kiite i-- KO and quite nice, isn't she?! very being-considerate nice-girl ja nai ka e_? is-not (?) huh?Kyousuke: WHA! na_---------------------------------------------------p 314 (128)1[Madoka's pov of Kyousuke.]Kyousuke FX: ______ chira_2[His pov of an expressionless Madoka.]3Kyousuke: [blushing] Th-that's not it! chi chigau yo! hikaru-chan to wa Hikaru-chan isn't really... mistaken (define) betsu ni... -particularly4[Shot of Takashi, who's probably starting to figure it all out by now.]5Madoka: Then... I guess I'll go ja...... atashi sorosoro KAEro-- home now. then I now shall-go-home ka na I-wonder It looks like it'll be ato wa atashi ga inakute mo okay if I skip out on the remainder (T) I (S) even-tho-not-here rest... DAIJOUBU mitai da shi... all-right seems-to-be consider6Kyousuke: Eh? e7Madoka: See ya. ja ne8Kyousuke: Ayukawa... AYUKAWA...[She walks off. Both Kasugas turn to watch her leave the beach.]---------------------------------------------------p 315 (129)1Takashi: Kyousuke! KYOUSUKE!2Takashi: I wanted to ask that girl, ano KO ni mo tanomitai too... that-girl (IO) too want-to-ask n da kedo (explan) but ______ You think she'll do it? yatte-kuresou ka na moderu! Modeling?! look-as-if-do- I-wonder model (favor-to-me)3Kyousuke: _____ Dad... oyaji......4Takashi: Hey! If you don't get going hora! HAYAku Ikanai to HONTOU ni soon she'll really be going look! soon if-not-go really home!! KAEtte-shimau zo going-home-(finality/regret) !!Kyousuke: Y-yeah! u un!5Kyousuke: [running off] ________ _____ Thanks, Dad!! sankyu-- oyaji!!6[Takashi watches him leave.]---------------------------------------------------p 316 (130)1[Kyousuke catches up to her at a crosswalk. Madoka waits for the signal to change.]Kyousuke: Ayukawa! AYUKAWA![She turns back to look...]2Kyousuke: Wait! MAtte yo----_![...and turns away from him.]3[The signal light changes...]4[...and Kyousuke flashes with the Power...]narration: Nnnngh!! e--i!!5[...changing it back to "don't walk".]signal FX: ___ pa_6Madoka FX: _____ pita_7Kyousuke: [smiling in relief] (Just in time!) (maniatta!) ha_ ha_Madoka: [looking up at signal, perplexed] (Huh? But it just changed.) (are kawatta bakari na no ni) changed just although---------------------------------------------------p 317 (131)1Madoka: ______ What? Me? Model? e atashi ga moderu ni? I (S) model (IO)2Madoka: [turning her back to him] ____ I'm not the type. atashi sonna gara ja nai yo I that-kind-of-type am-not3Madoka: Hey, Kasuga-kun. If you hora KASUGA-kun HAYAku modonnai to don't hurry back you won't look! soon if-not-return be able to help your father. oto--san no TETSUDAi ga dekinai desho father 's assistance (S) probably-cannot4[Kyousuke stands speechless.]5Kyousuke: [flashing with emotion] ___ Then I'm leaving too!! ja ore mo KAEru!! then I too go-home6[Madoka turns back to look at him in surprise.]7Kyousuke: [still vehement] ______ If you model for him I'm AYUKAWA ga moderu yatte-kurereba kitto sure he'll turn out good (S) if-do-modeling surely pictures!! i-- SHASHIN ni naru good photograph (IO) become/turn-into to OMOu n da!! think-that (explan) If that isn't obvious then sore ga MIrenai to naru to mo-- there's no point in staying that-(one) (S) if-not-see become certainly here!! KAEru kkya nai yo!! (= ikkereba?) not-here if-go-home---------------------------------------------------p 318 (132)1Madoka: [wide-eyed] ______ But Hikaru is the model... datte moderu wa hikaru ga... but model (T) butKyousuke: Hikaru-chan has nothing to hikaru-chan wa kono sai do with this! (T) this-juncture/now kanke-- nai! have-nothing-to-do-(with)2Kyousuke: Anyhow, I want you to be tonikaku AYUKAWA ga the model!! anyhow (S) ______ moderu ni natte-kurenakya yada!! (= kurenakereba) unpleasant if-not-become-model3[Madoka portrait--she's touched.]4Madoka: [gaze downcast] You're just like a spoiled marude dadakKO ne KASUGA-kun wa kid, Kasuga-kun. just-like spoiled-child (T)5[Isolated shot of her hand as it grasps him by his wrist.]Madoka FX: gui_6[View pans back to show her marching back, with Kyousuke in tow.]Madoka: Grr... Really! moo honto ni!7[Kyousuke portrait--joy!]narration: Ayukawa...!! AYUKAWA----!!---------------------------------------------------p 319 (133)1[4 photos of Madoka, looking very demure.]camera FX: _____ pasha2[Late afternoon shot down the beach. In the distance, two tiny figures prance at water's edge. Possibly Madoka and Hikaru...]---------------------------------------------------p 320 (134)1[Exterior night shot of the Kasuga apartment building.]2Kyousuke: [looking over the developed shots] Wow! hee---_Takashi: So what do you think of my do-- da washi no HAJImete no first-ever model photos? how is-that my first JINBUTSU SHASHIN wa? person photos (T)3[A single frame of film showing Madoka.]4[Kyousuke holds it up to the light.]Takashi: She has a mysterious charm sono KO wa FUSHIGI na miryoku ga about her. that-girl (T) mysterious/ charm/ (S) wonderful fascination aru ne have Her facial expression HYOUJOU ga changes frequently--like facial-expression (S) a cat's eye. neko no ME no yo-- ni yoku kawaru cat's-eyes like-a frequently change5Takashi: By the way, I have a favor tokoro-de KYOUSUKE ni tanomi ga aru to ask of you... by-the-way I-have-a-favor-to-ask-of-you n da ga... (explan) butKyousuke: Eh? e6Takashi: [smiling] ______ Next time, I'd like to take KONDO wa sono KO no nu--do ga nude photos of her! next-time (T) that-girl 's nude (S) toritakunatta! want-to-take-(photo)Kyousuke: [freaked out] WHAAT?!! e_!!7[He visualizes a shimmery, nude Madoka.]Kyousuke: [blushing, aghast] __ ______ N-nude...! nu nu--do~~~~~~_---------------------------------------------------p 321 (135)1Takashi: Yeah! Could I have you ask sou! hitotsu omae kara her for me? one you from tanonde-moraenai ka? not-ask-(favor-for-me) (?)2Kyousuke: [forcefully] Y-you're joking!! jo jo--dan!! A-absolutely not!! ze ZETTAI dame!! absolutely no-good3Takashi: There's no way? do--shite mo?Kyousuke: FORGET IT!! dowa -me!! (dowasure) = forget derogatory-suffix4Takashi: I see. so-- kaTakashi FX: _____ niko_5Takashi: I'm a little sorry to hear chotto ZANNEN da kedo that... a-bit regrettable is but Well, okay. I'm joking. ma-- i-- ka jo--dan da yo well okay joke is I thought for sure you'd kitto so-- yu-- darou to OMOtta yo say that. surely that-kind-of poss-be thought-that[Kyousuke finds a photo.]6Kyousuke: [picking it up] Huh? I-I didn't know about are? ko kore itsu-no-mani...... this one... this-(one) unawaresTakashi: [off] _______ Oh. That snapshot is a free aa sore wa tada no sunappu sa one. It's not for the job. that-(one) (T) for-free 's snapshot SHIGOTO no ja nai yo work is-not7Takashi: [off] Somehow, looking at the two nan-ka omae-tachi o mite-ru to of you brings to mind your somehow you-plural (O) when-am-looking-at mother and me when we were young. washi to ka--san no WAKAi koro o me and mother 's when-young (O) OMOi dashite na recalling/bringing-to-mind---------------------------------------------------p 322 (136)1[The picture in question. In it, Madoka has Kyousuke by his wrist as they walk down the beachfront road. The two look into each other's eyes.]2Kyousuke: [studying the picture] Hmm. Mom, huh? fu--n ka--san kaa hmm mom (?)Takashi: But you probably don't mottomo omae wa yoku remember her too well. but you (T) fully/for-certain OBOete-nai daro-- kedo na poss-not-have-a-clear-recollection but3narration: _____ Like Dad and Mom when they oyaji-tachi no WAKAi koro mitai da tte---- were young... dad-(and-mom) 's when-young seem-to-be4[A cropped view of the picture in panel 1, showing Madoka only.]narration: ___ Maybe... I wonder if I'm moshi-ka-shite---- ore AYUKAWA to tied to Ayukawa by a red maybe I w/Ayukawa string? AKAi ITO de musubarete-ru no ka na? by-red-string are-tied I-wonder---------------------------------------------------p 323 (137)1Takashi: [picking up another picture, with a grin] Oh, that's right. Kyousuke. o so--so-- KYOUSUKE Here's another one... mo-- ICHI-MAI aru n da ga another one (counter) here-is (explan) but2Takashi: [handing it to him] This photo also seems to kono SHASHIN mo washi to ka--san no bring back memories of your this-photo too me and mother 's mother and me when we were young. WAKAi koro mitai de yokatta yo when-young seeming was-goodKyousuke: What?! he?!3[A view of the picture in question. Hikaru leaps into Kyousuke's arms.]Kyousuke: Ehhhhh?!! e~~~~~_!!narration: Somehow, with Hikaru-chan hikaru-chan to mo da nan-te------ too... including be somehow I'm confused...! KONRAN suru na--_ be-confused4[The family surrounds Kyousuke, who sits staring at both pictures in his hands.]Takashi: [highly amused] Life is good, huh, Kyousuke?! i-- naa KYOUSUKE! You're doubly blessed RYOUTE ni HANA to wa kono koto da na .Manami: [smiling] Wow. Oniichan is he-- oni--chan tte igai to surprisingly popular with (T) unexpectedly girls, hmm? ____ moteru no ne---- is-popular-with-girls (rhet)Kurumi: [wide-eyed] __ ____ Oh no... How indecent... ya da-- ya--rashi-- (= iyarashii) unpleasant/indecent5[Exterior night shot of the Kasuga apartment.]Kyousuke: [off] What the heck sort of mother ittai donna ka--san was she?!! what-in-the-world-kind-of mother nan da yo!! is-thisnarration: But... Which one did mom shikashi---- ka--san tte HONTOU wa really resemble? but mother (T) really ittai dotchi ni nite-ta in-the-world in-which did-resemble n desho-- ne? (poss-explan)---------------------------------------------------